{"id":4204,"date":"2022-05-03T13:40:42","date_gmt":"2022-05-03T11:40:42","guid":{"rendered":"https:\/\/playdoughartproject.katharina-neubert.de\/home-2\/"},"modified":"2026-01-08T21:07:22","modified_gmt":"2026-01-08T20:07:22","slug":"home-2","status":"publish","type":"page","link":"https:\/\/playdoughartproject.global\/en\/","title":{"rendered":"home"},"content":{"rendered":"

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Museum total<\/h1>\n

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Playdough in the Museum<\/h2>\n

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So I am touching on this infinite treasure \u2013 women in museums.<\/div>\n

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Playdough<\/h4>\n

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play dough Atlas<\/h2>\n

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The world’s bravest, strongest and smartest women are gathered in the world’s museums. They have been sitting, standing or lying on display for decades, centuries. Important artists created them. Your value is immeasurable. We approach them in awe and keep our distance. I visit them in the temples of high art and allow myself to be attracted by their power. <\/p>\n

I mold the ones in front of whom I have to stop because their charisma captivates me in clay – regardless of whether they are muses, Madonna or maidens, class, rank, name or millennium. I work on site in the high-security wing of the museum and contrast the idealized women’s bodies, which celebrate a lot of naked skin and a glorified idea, with my sketchy clay figures. They complement the glorifying image of women with a version without sex appeal. My recreations are no pin-ups. They are tangible, three-dimensional, burlesque and pure.<\/p>\n

Visitors help hold the hand-sized sculptures in front of the original. I take a documentary photo of this action as a trophy, as loot. During this always beautiful encounter we talk <\/p>\n

My utopian idea is to sculpt all the women in all the paintings worldwide in clay. By building an infinitely large collection of small, soft sculptures, I comment on and address the position of women in art and society. <\/p>\n

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Venus<\/em>, painting (Venus and Mars surprized by Vulkan , Paris Bordone), playdough, hand of a visitor, Gem\u00e4ldegalerie Berlin, 2018 <\/span><\/div>\n

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Judith<\/em>, painting (Judith with the head of Holofernes, Christofano Allori, Gem\u00e4ldegalerie Berlin), plasticine, hand of a visitor, Berlin 2019
<\/span><\/div>\n

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<\/span>Lukrezia<\/em>, painting (Lukrezia, Joos van Cleve, arround 1520), plasticine, hand of a visitor, Kunsthistorisches Museum Wien, 2023<\/div>\n

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<\/span><\/em>Playdough:<\/strong>Colorful, soft, banal, actually a non-art material, but wonderful in its directness. The results are charming and absurd and surprisingly tender. The striking colors give strength, swapped skin colors are surprising. <\/p>\n

Global loot:<\/strong> Conquering the character, turning him into clay, is always an effort and a risk. Will I be allowed to steal her magic, her soul? Does a damaging spell <\/strong> appear? But what happens is that the women in the paintings strangely come to life through their little playdough muses. <\/p>\n

helping hands<\/strong>: The dialogue with the visitors and the joint staging of the clay muses in front of and with the original is always a surprise. Who can claim to have held the Venus de Milo in their hands? Thank you very much, everyone who spoke to me. <\/p>\n

Postcards<\/strong>: A visit to a museum is not always possible. A completely different experience – the staging of the muse, made from a postcard, with passers-by in a public space brings completely different perspectives. <\/p>\n

Stories<\/strong>: The muses, goddesses and portraits of all these women from biblical or pre-Christian contexts include events that became myths. The current question is the old question. What do we see? Do we only see what we are supposed to see? Who actually was Judith? Why do women always have to be naked? <\/p>\n

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Collectione globale<\/h4>\n

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Change the world with dough<\/h2>\n

They are small, paradoxical, fragile and humorous. They make us smile and unleash the conversation between people.<\/h3>\n

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Museum totalPlaydough in the MuseumSo I am touching on this infinite treasure \u2013 women in museums.Playdoughplay dough AtlasThe world’s bravest, strongest and smartest women are gathered in the world’s museums. They have been sitting, standing or lying on display for decades, centuries. Important artists created them. Your value is immeasurable. We approach them in awe […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"class_list":["post-4204","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/playdoughartproject.global\/en\/wp-json\/wp\/v2\/pages\/4204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/playdoughartproject.global\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/playdoughartproject.global\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/playdoughartproject.global\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/playdoughartproject.global\/en\/wp-json\/wp\/v2\/comments?post=4204"}],"version-history":[{"count":9,"href":"https:\/\/playdoughartproject.global\/en\/wp-json\/wp\/v2\/pages\/4204\/revisions"}],"predecessor-version":[{"id":5450,"href":"https:\/\/playdoughartproject.global\/en\/wp-json\/wp\/v2\/pages\/4204\/revisions\/5450"}],"wp:attachment":[{"href":"https:\/\/playdoughartproject.global\/en\/wp-json\/wp\/v2\/media?parent=4204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}